Global Strategy of Sony Ericsson Essay Example for Free

Global Strategy of Sony Ericsson Essay In 2001, Sony Ericsson is established by the Japanese company Sony (a consumer electronics corporation) as a fifty-fifty joint venture with the Swedish telecommunications company Ericsson (a mobile communications infrastructure and systems business) which offers mobile phones, accessories and applications. Before the merger, its provides expertise in mobile communication, after the merger, its provide both the consumer electronics and content expertise. In 2011, Sony Ericsson changes their global strategy by focusing more on high end smartphones. At the same times, Sony Ericsson will focus on their key markets, which is including the U. S., Russia, China and Germany. The transaction gives Sony focus on high end smartphones product includes their accessories and application that will lead to profitability and the growth of its business. However, the company facing new challenges in this dynamic changing environment, aggressive competition will affect the global market share of the company and it revenue. In 2012, Sony Ericsson becomes an end when Sony’s announcement that it will acquired 50 percent stake in Sony Ericsson, changed its name to Sony Mobile Communications AB (SMEC) let Sony Ericsson becomes an affiliated company of Sony Corporation (Sony). Sony is a multinational corporation, one of the most leading brand and its functions as designing, manufacturing, marketing mobiles phones and its accessories. With the announcement of acquisition, it will be a brand new start for Sony Ericsson to embark within the Sony family, expanded their marketing activities. Sony Ericsson use outsourcing for the customer interaction centre is another global strategy. This customer interaction centre is established to solve and meet all customer requirements and their problems, and at the same time reducing their cost for expansion.

Religion and State Sovereignty :: social issues

Religion and State Sovereignty The influence of religion on humankind can be traced back to the first records of history. Religion has served as a pillar of strength to some and binding chains to others. There are vast amounts of information and anthropological studies revealing the interaction of religion and humankind. However, for the purposes of this paper, the time periods of study will be broken up into three sections. Each section will give a general description of how religion affected the institution of the state and its Sovereignty in a Euro-centric perspective. The first period is the early period, which will encompass from Christianity and the Roman Empire to the Medieval times (approx. 311 to 1100 A.D.). The second period will include the Renaissance, the Reformation to the Treaty of Westphalia (1101 to 1648 A.D.). The third and increment of history will range from 1649 to 1945 A.D. The date 311 A.D. marks the issuing of the "Edict of Toleration" for Christians. This date is important because it symbolizes "national" acceptance of Christianity, and planted its roots as a political institution. Later the Roman Empire on the verge of internal collapse acknowledged the importance of Christianity and used it to hold together the remnants of it former self. This adoption of Christianity took form and eventually became the Catholic church.The church became intermingled with politics and became a strong entity. The policies delivered from the church had more authority than the local rulers and magistrates of the developing feudal system. For example, St. Augustine wrote about war and what justified its enactment against fellow men. This policy was followed and adhered to for hundreds of yea rs after St. Augustine wrote it. Another example, is the use of the Bible as a guideline for establishing governing systems. Scripture portrayed God as choosing the king of the people. The pope, being God's "representative" was then given the authority to crown the king. This crowning process gave the pope large influence in the political arena. This ritual continued for a number of centuries. The Crusades, which occurred around 1100 A.D., played a crucial role in challenging the church's authority. The pope identifying the spread of Islam as evil requested all of Europe embark on a "Crusade" to defeat the infidels. As the battles were fought, great treasures were found in the form of books and knowledge. These books were crude translations of old Greek texts, containing information which would eventually produce the waning of Church authority in the future.

Henry James referred to TTOTS as a potboiler Essay

Henry James referred to ‘TTOTS’ as a potboiler. In light of this comment, explore the establishment of a simple ghost story in the prologue and first five chapters. Henry James stated that ‘TTOTS’ was a potboiler, meant only to be perceived as a simple ghost story which in the Victorian era was how it was originally accepted. However a more modern audience ay interpret the novella as something more. Relating back to the idea of a simple ghost story, the novella starts with a typical ghost story setting – ‘The story had held us, round the fire’ emphasised by the description of the house being ‘gruesome’ and it being ‘Christmas Eve’ informing us that it is night time. All are contributing factors to an ideal ghost story and all of these points start to build the tension and suspense up already within the first few lines. ‘Held us, round the fire’ tells us how they are clinging to this materialistic substance for comfort and warmth, typical connotations of fire. Use of language such as ‘dreadful’ and ‘terror’ increases this sense of a greater impending ghost story – that of which we hear about the Governess. Moreover this sets the mood and creates the atmosphere for the audience to fully appreciate the ‘horror’ of this ghost story. In addition, the idea of them telling ghost stories gives us an immediate impression that there is a ghost story awaiting the audience. The use of more dramatic language such as ‘for sheer terror?’ and ‘for dreadful – dreadfulness’ start the steep incline of suspense and tension we will feel throughout the story. The idea of authenticity throughout this novella is key for the audience to focus on. To increase this idea of the story being real, James uses a framed narrative to draw the reader in to believe that the tale is true. Overall the story could succeed without the prologue but with it, the audience is a lot more likely to proceed through the book with an idea or reality. The main character in the prologue, Douglas, tells the unnamed narrator and the rest of the group of a ghost story much worse than any that have been told. ‘If the child gives the effect of another turn of the screw, what do you say to two children – ?’ Obviously hinting that his tale contains two children, increasing the horror the audience are now sure that they are reading a simple ghost story. However this idea can be argued as we continue throughout the prologue and the first chapter. We learn that about the Governess, moreover, we learn Douglas’ opinion of her. ‘Is in old faded ink and in the most beautiful hand’. From this we can interpret that Douglas’ may be fond or possibly in love with the Governess making his opinion biased thus taking away from the reliability of the story. The use of characters in the prologue almost acts as a metaphor for the reader. ‘Everybody will stay!’ and ‘I will – and I will!’ could be used to represent how James wants the reader to react to reading the actual ghost story. Straight away in the first chapter we learn about how the governess suffered ‘a succession of flights and drops’. Already we start to suspect the volatility of her and the reliability of her tale which obviously argues against the idea of it being a simple ghost story and starts to lay down the foundation for the idea that there may be undercurrents of something more suspect. However her description of Bly is incredibly positive. ‘A lovely day’, ‘summer sweetness’ and ‘a friendly surprise’ are all used in one sentence and all are incredibly optimistic, giving us the idea that the governess is a very positive person. However she does seem to be very hyperbolic, describing the first child, Flora, as ‘one of Raphael’s holy infants’. Obviously this is taking it to extremes, which hints that this might not be the only thing that she is exaggerating throughout the novella. Towards the end of chapter one, she describes parts of the house with language such as ‘empty chambers’, ‘dull corridors’ and ‘crooked staircase’ al of which are very negative descriptions, however she immediately starts to describe the house as ‘a castle of romance’ and something from a ‘story book’. Moreover, as she is peppering her negative quotes with positive and vice versa massively showing her incredible volatility. This is a major idea that the rest of the story may be exaggerated or maybe not even true. This could also foreshadow her personality later on into the novella. Throughout the chapters the language of Mrs Grose becomes increasingly questionable. As an audience we are constantly told that she is ‘simple-minded’ however she sees to know a lot more than she is letting on. ‘Are you afraid he’ll corrupt you?’ This is odd as she is talking about Miles, a ten year old boy. This make the audience think, how can a young child corrupt a fully grown woman? Leading us on to thin she may be talking about somebody else. As we progress through the story we learn about the Governess’s sexual frustration toward the master. Accompanying this idea is that she sees the apparition of Peter Quint upon the tower. This is could imply that she is projecting her sexual frustration onto an imaginary figure as a release to wanting to see the master. ‘A charming story suddenly to meet someone’ and later ‘He did stand there!’ She only sees this figure stood there when she is imagining the master, a suspicious idea that the reader may look into. ‘The man who met my eyes was not the person I precipitately supposed’. This quote backs up my previous point of the projecting this idea of meeting the master on her walks. During these first few chapters we experience a reasonable amount of religious language, ‘Raphael’s holy infants’, ‘divine’ and ‘he has red hair’ these all imply ideas of how the plot is affected by the religious aspects of the Victorian era and their views on ghosts. As they did believe in ghosts and were mainly very religious, these ideas were accepted avidly and only increased any emotions felt within the Victorian reader as they progressed through the story. Overall, my personal views are that there are underlying psychological ideas in ‘TTOTS’ and that although it can be read as a straight ghost story, to fully appreciate the novella the reader must delve deeper and retrieve any obvious ideas that suggest more than just a typical ghost story. James uses a variety of techniques which make his characters seem a lot more emotional deeper than just a person who is afraid in a big house. However the idea of authenticity throughout does back up the point of it being a straight ghost story. I do believe that it is a mazed reader and can be open to a variety of interpretations.

The Quiet World Of Written Words - 1255 Words

The Quiet World of Written Words: How I Discovered Literature It was a time of long hair and stealth window escapes at the midnight hour, a time of skipping class and anti-establishment sentiment spewing forth from my foul, juvenile, remorseless mouth. I was mad without reason. Full of aggressive energy, anger was the emotion with which I chose to express myself. Naturally, I found fuel for the fire in a band named Rage Against the Machine. Front-man Zach de la Rocha put the emotions I was experiencing into a lyrical poetic, militant, rap-core metal form. It was unlike anything I had ever heard before: pure, intellectual, and most of all, unfiltered. Initially, I was drawn to Rage because of its sound and raw musical talent with their†¦show more content†¦Because I could identify with this song, I found myself wondering: Who was this character Tom Joad? Was he flesh as I? Was he even a man, or was he just a ghost after all? I was clueless and perplexed. Consequently, I took it upon my teenage self to venture out in order to discover just who he was. Though I was prepared to comb through every article necessary, a simple Google search was all the elbow grease it took to unearth the mystery: Tom Joad is the main character of a novel written by John Steinbeck, titled â€Å"The Grapes of Wrath.† I bought the book, and it was then that I branched out from raging sound waves into the quiet and meticulous world of written words. The year was 2008; and the first decade of the new millennium was drawing to an end on an extraordinarily low point in America’s economic history. What has come to be known as The Great Recession would have led to an apocalyptic collapse of the world economy, had it not been for governmental intervention. The financial crises tattooed drastic and lasting effects on the lives of the majority of Americans; among other things, many lost their homes, savings, and their investments. Needless to say, there was an overall sense of despair throughout the heartland, and the big questions on everyone’s minds were: â€Å"What do we do now?† and â€Å"Where do we go from here?† As I read word after word and page after page, I came to the realization that the world in which I lived was in fact not that far from the problemsShow MoreRelatedThe Power of Secrets in The Book Thief by Markus Zusak Essay702 Words   |  3 Pagesâ€Å"‘Book burning’ refers to the ritual destruction by fire of books or other written materials. Usually carried out in a public context, the burning of books represents an element of censorship and usually proceeds from a cultural, religious, or political opposition to the materials in question.† (United States Holocaust Memorial Museum) The night of May 10, 1933, German students from some of the best universities in the world, gathered in Berlin to burn books with un-German ideas. The students, alongRead MoreThe Picture Of Dorian Gray And All Quiet On The Western Front1352 Words   |  6 PagesSocial class is something that people use to classify someone and judge someone on. This term or idea is thoroughly introduced within the stories The Picture of Dorian Gray By Oscar Wilde, The Adventures of Huckleberry Finn By Mark Twain, and All Quiet on the Western Front By Erich Maria Remarque. Wilde uses his characters to represent his arguments and criticism towards the upper-class people during that time period. As for Twain, he uses his setting to describe the problems within that societyRead More To Autumn – A Proclamation of Life and Hope Essay1441 Words   |  6 PagesTo Autumn – A Proclamation of Life and Hope  Ã‚   The poem To Autumn is an amazing piece of work written by one of the greatest poets of all time, John Keats.   From a simple reading, the poem paints a beautiful picture of the coming season.   However, one may wonder if there is more to the poem than what the words simply say.   After it is studied and topics such as sound, diction and imagery are analyzed, one can clearly say that Keats used those techniques to illustrate the progression of deathRead MoreMoors Murders844 Words   |  4 Pagesthe Devils Wife is a poem written by Carol Ann Duffy. The poem is written in first person, past tense narrative, The poem is a dramatic monologue from Myra Hindlys perspective of life in prison. the poem details Myra hindlys reflection on the crimes committed along with ian brady, known as the moors murders. Through the use of poetic techniques such as word choice, structure and imagery, Carol Ann Duffy creates a sinister atmosphere, the sinister atmosphere changes as the poem progresses and alsoRead MoreOde to a Nightingale and To Autumn by John Keats.1611 Words   |  7 Pagestranscendence to a better world and its song is the means by which the narrator reaches this state. Other Romantic poets often used this type of escape. In stanza I the narrator hears the song of a nightingale and he expresses his drowsy numbness pains which are not the effects of alcohol, but rather, from being so happy in hearing the song that his heart aches and his senses numbs. In stanza II, the narrator longs for alcohol, so he can forget his troubles and leave the world unseen with the birdRead MoreThe Rage Against The Machine1368 Words   |  6 Pagesescapes at the midnight hour; a time of skipping class, anti-establishment sentiment spewing forth from my foul, juvenile, remorseless mouth. I was mad at the world on the grounds that I felt as though I had been dealt a lousy hand in this life. In my infinite teenage wisdom, I had convinced myself if I could not everything my way, I w ould set the world ablaze and watch it burn. Full of aggressive energy, anger was the emotion with which I chose to express myself. Naturally, I found fuel for the fire inRead MoreCritical analysis on The Wars by Timothy Findley.1710 Words   |  7 PagesThe Wars, written by Timothy Findley, is a story about World War I, and consists of many shocking images passed over to the reader. Findley accomplishes to pull the reader into the narrative itself, so that the reader manages to feel an impact upon him/her-self about what is read. If it was not for this specific skill, or can also be seen as a specific genre, the novel would not have been as successful as it is now. Also, something that helps the book be so triumphant, there is the fact that FindleyRead More Compare and Contrast the two poems, London and Composed Upon Westminster627 Words   |  3 Pagesthe poets write about London in their poems. There is one big difference between the form and the structure ‘Composed Upon Westminster Bridge’ is written in the form of a sonnet where as the ‘London’ poem is just a four verse poem, each verse having four lines. Comparing the poems with one another I first picked up that they are equally written from first person perspectives which helps to express that these are the writer’s real thoughts and feelings of the great city. Blake doesn’t concentrateRead MoreThe Aeneid Is An Epic Poem1715 Words   |  7 PagesThe Aeneid is an epic poem written in 20 B.C by Virgil, the pre-eminent poet of the Roman Empire. It is based on the Greek oral tradition Homer s Iliad and Odyssey. Virgil seeks to establish the greatness of Rome by linking the foundation of Rome to the legends of Troy. In this masterpiece, he delicately pictures men and women with opposite characteristics. Men are rational and calm while women are emotional and chaotic which are represented by Neptune and Juno in sequence. Through this, VirgilRead MoreComparing the Attitudes Demonstrated between Pre-War and at War with Brookes Poem The Soldier and Owens Poem Dulce et Decorum est869 Words   |  4 PagesDemonstrated between Pre-War and at War with Brookes Poem The Soldier and Owens Poem Dulce et Decorum est Dulce et Decorum Est was written at war in 1917 by an English poet and World War I soldier Wilfred Owen. Dulce et decorum est is written in a very bitter manner, by a man who had very strong anti-war sentiments. The 27-line poem, written loosely in iambic pentameter is told from the eyes of Wilfred Owen. The opening line of this poem contains two similes which compares

In Search of Room-Temperature Superconductors

Imagine a world in which magnetic levitation (maglev) trains are commonplace, computers are lightning-fast, power cables have little loss, and new particle detectors exist. This is the world in which room-temperature superconductors are a reality. So far, this is a dream of the future, but scientists are closer than ever to achieving room-temperature superconductivity. What Is Room-Temperature Superconductivity? A room temperature superconductor (RTS) is a type of high-temperature superconductor (high-Tc or HTS) that operates closer to room temperature than to absolute zero. However, the operating temperature above  0  °C (273.15 K)  is still well below what most of us consider normal room temperature (20  to  25  Ã‚ °C). Below the critical temperature, the superconductor has zero electrical resistance and expulsion of magnetic flux fields. While its an oversimplification, superconductivity may be thought of as a state of perfect electrical conductivity. High-temperature superconductors exhibit superconductivity above  30  K (−243.2  Ã‚ °C). While a traditional superconductor must be cooled with liquid helium to become superconductive, a high-temperature superconductor can be cooled using liquid nitrogen. A room-temperature superconductor, in contrast, could be cooled with ordinary water ice.   The Quest for a Room-Temperature Superconductor Bringing up the critical temperature for superconductivity to a practical temperature is a holy grail for physicists and electrical engineers. Some researchers believe room-temperature superconductivity is impossible, while others point to advances that have already surpassed previously-held beliefs. Superconductivity was discovered in 1911 by  Heike Kamerlingh Onnes in solid mercury cooled with liquid helium (1913 Nobel Prize in Physics). It wasnt until the 1930s that scientists proposed an explanation of how superconductivity works. In 1933, Fritz and Heinz London explained the Meissner effect, in which a superconductor expels internal magnetic fields. From Londons theory, explanations grew to include the  Ginzburg-Landau theory (1950) and microscopic BCS theory (1957, named for Bardeen, Cooper, and Schrieffer). According to the BCS theory, it seemed superconductivity was forbidden at temperatures above 30 K. Yet, in 1986,  Bednorz and Mà ¼ller discovered the first high-temperature superconductor, a lanthanum-based cuprate perovskite material with a transition temperature of 35 K. The discovery earned them the 1987 Nobel Prize in Physics and opened the door for new discoveries. The highest temperature superconductor to date, discovered in 2015  by Mikhail Eremets and his team, is sulfur hydride (H3S). Sulfur hydride has a transition temperature around 203 K (-70  °C), but only under extremely high pressure (around 150 gigapascals). Researchers predict the critical temperature might be raised above  0  Ã‚ °C  if the sulfur atoms are replaced by phosphorus, platinum, selenium, potassium, or tellurium  and still-higher pressure is applied. However, while scientists have proposed explanations for the behavior of the sulfur hydride system, they have been unable to replicate the electrical or magnetic behavior. Room-temperature superconducting behavior has been claimed for other materials besides sulfur hydride. The high-temperature superconductor yttrium barium copper oxide (YBCO) might become superconductive at 300 K using infrared laser pulses. Solid-state physicist Neil Ashcroft predicts solid metallic hydrogen should be superconducting near room temperature. The Harvard team that claimed to make metallic hydrogen reported the Meissner effect may have been observed at 250 K. Based on exciton-mediated electron pairing (not phonon-mediated pairing of BCS theory), its possible high-temperature superconductivity might be observed in organic polymers under the right conditions. The Bottom Line Numerous reports of room-temperature superconductivity appear in scientific literature, so as of 2018, the achievement seems possible. However, the effect rarely lasts long and is devilishly difficult to replicate. Another issue is that extreme pressure may be required to achieve the Meissner effect. Once a stable material is produced, the most obvious applications include the development of efficient electrical wiring and powerful electromagnets. From there, the sky is the limit, as far as electronics is concerned. A room-temperature superconductor offers the possibility of no energy loss at a practical temperature. Most of the applications of RTS have yet to be imagined. Key Points A room-temperature superconductor (RTS) is a material capable of superconductivity above a temperature of 0  °C. Its not necessarily superconductive at normal room temperature.Although many researchers claim to have observed room-temperature superconductivity, scientists have been unable to reliably replicate the results. However, high-temperature superconductors do exist, with transition temperatures between  Ã¢Ë†â€™243.2  Ã‚ °C  and  Ã¢Ë†â€™135  Ã‚ °C.Potential applications of room-temperature superconductors include faster computers, new methods of data storage, and improved energy transfer. References and Suggested Reading Bednorz, J. G.; Mà ¼ller, K. A. (1986). Possible high TC superconductivity in the Ba-La-Cu-O system. Zeitschrift fà ¼r Physik B. 64 (2): 189–193.Drozdov, A. P.; Eremets, M. I.; Troyan, I. A.; Ksenofontov, V.; Shylin, S. I. (2015). Conventional superconductivity at 203 kelvin at high pressures in the sulfur hydride system. Nature. 525: 73–6.Ge, Y. F.; Zhang, F.; Yao, Y. G. (2016). First-principles demonstration of superconductivity at 280 K in hydrogen sulfide with low phosphorus substitution. Phys. Rev. B. 93 (22): 224513.Khare, Neeraj (2003). Handbook of High-Temperature Superconductor Electronics. CRC Press.Mankowsky, R.; Subedi, A.; Fà ¶rst, M.; Mariager, S. O.; Chollet, M.; Lemke, H. T.; Robinson, J. S.; Glownia, J. M.; Minitti, M. P.; Frano, A.; Fechner, M.;  Spaldin, N. A.; Loew, T.; Keimer, B.; Georges, A.; Cavalleri, A. (2014). Nonlinear lattice dynamics as a basis for enhanced superconductivity in YBa2Cu3O6.5.  Nature.  516  (7529): 71–73.   Mourachkine, A. (2004).  Room-Temperature Superconductivity. Cambridge International Science Publishing.

The Birth Of America Is Well, The Biggest And Greatest

The birth of America is well, the biggest and greatest thing to ever happen to us. There are many things that led up to the 1865 era such as salutary neglect, the Constitution, the Louisiana Purchase, Manifest Destiny, and Slavery. Those are just a few things that America powered through to get where we are today. Our Forefathers attempted to rectify what some would consider harsh actions made by the kingdom of Britain in the mid 1700’s. The British didn’t take the American territories seriously and just saw them as colonies to be used and exploited in whatever way that best suited the kingdom’s interest. The morning of April 19, 1775 America was then no longer just negotiating for its rights, we were fighting for them.†¦show more content†¦By the end of the assembly of the Second Continental Congress, America would declare war on Britain. In Lexington in April of 1775 the British troops and colonial militiamen kicked off the armed conflict. By the summer the rebels were waging a full-scale war for their independence. France entered the American Revolution on the side of the colonists in 1778, turning what had been a civil war into an international conflict. French assistance helped the Continental Army force the British surrender in Yorktown, Virginia, in 1781. We had won our Independence. Though fighting would not officially end until 1783. The United States Constitution’s final draft was approved on September 17, 1787. It established America’s national government and fundamental laws, and guaranteed certain basic rights for its citizens. It was, however more than just a document. It would more importantly establish the form of government that would be utilized right up to modern day America. The framers of the Constitution knew that while government needed power in order to be effective, too much power could lead to abuses. So they kept government under control by dividing the power into two ways; Federal and State powers. The federal system of government was shared among state and national authorities. Some powers, such as establishing an educational system were known as reserve powers because they were reserved for the state. Others, such as declaring war wereShow MoreRelatedAn Exploration of Individualism as Described by Alexis de Tocqueville in Democracy in America1312 Words   |  6 PagesAn Exploration of Individualism As Described By Alexis de Tocqueville in Democracy In America The classic work Democracy In America by Alexis de Tocqueville has been the reason for scholarly pursuit as well as strife within that same community. Through a brief examination of this text, several of Tocqueville’s arguments helped to define many of the constructs that made America what it was as well as those that have led to what it has become today. 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What do you think of traditional Hmong birth practices (pp. 3-5)? Compare them to the techniques used when Lia was born (p. 7). How do Hmong and American birth practices differ? 2. Over many centuries the Hmong fought against a number of different peoples who claimed sovereignty over their lands; they were also forced to emigrate from China. How do

Dark Rapture Essay Example For Students

Dark Rapture Essay In Native Speech, On the Verge and In perpetuity Throughout the Universe, Eric Overmyer manifested a extraordinary command over the tools of language: sound, syntax and image. None exhibited much control over, or interest in, the more mundane devices of the playwrights art. In Dark Rapture, which premiered at Seattles Empty Space Theater in May, Overmyers verbal dexterity is acute as ever, but this time its harnessed to a plot delivered by characters who seem driven by purposes of their own. Its by far Overmyers most satisfying play. Dark Rapture may not, however, earn its author the critical praise it deserves it certainly didnt in Seattle because it adheres so strictly to the rules of a genre. In the written arts, in film, in dance, in pop music, a creative artists submission to such rules earns no disrespect. In theatre, it seems we honor work created within rigid conventions only if the conventions are someone elses kabuki or kathakali, wayang or noh. Escape from the ordinary Dark Rapture is noir, the genre which crystallized in the 1940s novels and screenplays of Raymond Chandler and has intermittently borne fruit ever since in the hands of artists as various as Richard Condon and Wim Wenders. Good noir is rare on stageOvermyers own early In a Pigs Valise is congested, prankish hommage, dead on arrival. But his Dark Rapture is the most succesful stage essay in the form since Len Jenkinss marvelous, poetic Five of Us. Like many noir fictions, Dark Rapture is about escape: from the self, from the sane, from the ordinary. This time the escape hatch is offered by a fire that leaves the Berkeley Hills home of Ray and Julia Gaines a pile of smoldering rubble with a charred and unrecognizable corpse beneath it. Whose corpse is it: Rays, or a looters? Just where was Julia when the house burned down? And what happened to the brown-paper parcel Julia says she left in Rays custody? Did it go up in flames, too, with or without him? Any number of sinister people want to know. In classic noir manner, the story advances tableau by moody tableau from Baja bedroom to Key West bar deck to Tampas kitchenette, each offering its sharply etched character cameo, its fragment on information, its new complication, straight to a conclusion redolent with irony. Patsies and sleazeballs The performances were utterly attuned to the material. As a lifelong schlepper grabbing that one big chance, Peter Silbert made Ray a loser worth rooting for. As the froms obligatory good bad girl, bad good girl, and bad girl, Sally Smythe, Jessica Marlowe and Katie Forgette gave their archetypical roles individual flair. Particularly notable among those playing assorted gunsels, patsies, sleazeballs, wise-asses and loons were Rex McDowell as a mad Armenian hit-man, Robert Wright and David Pichette (poisonous lizard and rabid pekinese, respective) as businessman trafficking in non-standard merchandise, and David Mong as the mysterious Babcock, Rays sunnily implacable doom. The design was equally supportive. Peggy McDonalds supple arrangements of screens and Paul Chi-ming Loueys matte costumes under Michael Wellborns chiaroscuro lighting heightened Overmyers torrid imagery through contrast. David Pascals sound design holocaust and hurricane and all shadings between put a final polish on Empty Space artistic director Kurt Beatties perfectly paced staging. Few productions of new plays especially ones mounted on a minuscule budget by an artist heretofore best known as an actor-playwright are as assured as this one. Dark Rapture was commissioned and staged as part of the Empty Space ensemble project put together by Beattie to test a long-held conviction that authoritarian structures are ill-designed to produce first-rate theatre; that true extended collaboration is a lot more likely to produce a cultural artifact that has some lasting value for the society that produced it than any one-shot wiring together of egos, however brilliant individually. After only four months of concentrated work and just two productions, Beatties theory already seems amply confirmed in practice.